| Rufus Fairchild Zogbaum | |
|---|---|
Rufus Fairchild Zogbaum, 1894 |
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| Birth name | Rufus Fairchild Zogbaum |
| Born | August 28, 1849 |
| Died | October 22, 1925 (aged 76) |
| Nationality | American |
| Field | Illustration, Painting, Drawing, Journalism |
| Influenced | Frederic Remington |
Rufus Fairchild Zogbaum (August 28, 1849 – October 22, 1925) is primarily known as an illustrator for late 19th century news magazines, but he was also a journalist and author. His works were regularly featured in Harper’s Weekly magazine.[1]
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Zogbaum was born in Charleston, South Carolina. He was educated at the Art Students League in New York City from 1878–1879, and during 1880–1882 studied under Léon Bonnat in Paris.[2]
Harper's Weekly normally hired freelance illustrators; nevertheless, for a time Zogbaum was on the magazine's art staff and was sometimes given the assignment to redraw submissions by freelance illustrators. In the 19th-century news magazine world, redrawing illustrations was the equivalent of editing writers’ works. Two of the most famous artists who made illustrations for Harper’s were Winslow Homer and Frederic Remington, whose first few illustrations for Harper’s were redrawn by staff artists, including Zogbaum.
By 1912, Remington had died (1909) and Zogbaum had become so well-known that Rudyard Kipling referred to him in a poem about a friend who had died:[3]
Admiral [Robley D.] Evans
Zogbaum draws with a pencil,
And I do things with a pen.
And you sit up in a conning tower
Bossing eight hundred men.
Zogbaum takes care of his business
And I take care of mine.
And you take care of ten thousand tons,
Sky-shooting through the brine.
Zogbaum can handle his shadows
And I can handle my style.
And you can handle a ten-inch gun
To carry seven mile.
"To him that hath shall be given."
And that's why these books are sent
To the man who had lived more stories
Than Zogbaum or I could invent.
Zogbaum specialized in several areas of illustration. During his lifetime, his drawings and paintings of horses and military themes (U.S. Army and Navy) were almost as well-known as Remington’s, although he was older than Remington and his works had actually influenced the younger artist.[4] As did Remington, during the Spanish-American War, Zogbaum served as an on-the-scene artist-correspondent. His 1897 book, All Hands: Pictures of Life in the United States Navy, is a collector's item featuring 36 full page illustrations. A mural by him is located in the Howard M. Metzenbaum U.S. Courthouse in Cleveland, Ohio.
His son, Rufus F. Zogbaum, Jr., became an admiral in the U.S. Navy, and his grandson, Wilfred Zogbaum[5] (1915–1965), was a well-respected painter and sculptor who had teaching stints in several universities, including the University of California at Berkeley.
